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1 photography of instruments
фотографирование шкал [показаний] приборовEnglsh-Russian aviation and space dictionary > photography of instruments
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2 photography
фотографирование, фотосъёмка -
3 Paul, Robert William
[br]b. 3 October 1869 Highbury, London, Englandd. 28 March 1943 London, England[br]English scientific instrument maker, inventor of the Unipivot electrical measuring instrument, and pioneer of cinematography.[br]Paul was educated at the City of London School and Finsbury Technical College. He worked first for a short time in the Bell Telephone Works in Antwerp, Belgium, and then in the electrical instrument shop of Elliott Brothers in the Strand until 1891, when he opened an instrument-making business at 44 Hatton Garden, London. He specialized in the design and manufacture of electrical instruments, including the Ayrton Mather galvanometer. In 1902, with a purpose-built factory, he began large batch production of his instruments. He also opened a factory in New York, where uncalibrated instruments from England were calibrated for American customers. In 1903 Paul introduced the Unipivot galvanometer, in which the coil was supported at the centre of gravity of the moving system on a single pivot. The pivotal friction was less than in a conventional instrument and could be used without accurate levelling, the sensitivity being far beyond that of any pivoted galvanometer then in existence.In 1894 Paul was asked by two entrepreneurs to make copies of Edison's kinetoscope, the pioneering peep-show moving-picture viewer, which had just arrived in London. Discovering that Edison had omitted to patent the machine in England, and observing that there was considerable demand for the machine from show-people, he began production, making six before the end of the year. Altogether, he made about sixty-six units, some of which were exported. Although Edison's machine was not patented, his films were certainly copyrighted, so Paul now needed a cinematographic camera to make new subjects for his customers. Early in 1895 he came into contact with Birt Acres, who was also working on the design of a movie camera. Acres's design was somewhat impractical, but Paul constructed a working model with which Acres filmed the Oxford and Cambridge Boat Race on 30 March, and the Derby at Epsom on 29 May. Paul was unhappy with the inefficient design, and developed a new intermittent mechanism based on the principle of the Maltese cross. Despite having signed a ten-year agreement with Paul, Acres split with him on 12 July 1895, after having unilaterally patented their original camera design on 27 May. By the early weeks of 1896, Paul had developed a projector mechanism that also used the Maltese cross and which he demonstrated at the Finsbury Technical College on 20 February 1896. His Theatrograph was intended for sale, and was shown in a number of venues in London during March, notably at the Alhambra Theatre in Leicester Square. There the renamed Animatographe was used to show, among other subjects, the Derby of 1896, which was won by the Prince of Wales's horse "Persimmon" and the film of which was shown the next day to enthusiastic crowds. The production of films turned out to be quite profitable: in the first year of the business, from March 1896, Paul made a net profit of £12,838 on a capital outlay of about £1,000. By the end of the year there were at least five shows running in London that were using Paul's projectors and screening films made by him or his staff.Paul played a major part in establishing the film business in England through his readiness to sell apparatus at a time when most of his rivals reserved their equipment for sole exploitation. He went on to become a leading producer of films, specializing in trick effects, many of which he pioneered. He was affectionately known in the trade as "Daddy Paul", truly considered to be the "father" of the British film industry. He continued to appreciate fully the possibilities of cinematography for scientific work, and in collaboration with Professor Silvanus P.Thompson films were made to illustrate various phenomena to students.Paul ended his involvement with film making in 1910 to concentrate on his instrument business; on his retirement in 1920, this was amalgamated with the Cambridge Instrument Company. In his will he left shares valued at over £100,000 to form the R.W.Paul Instrument Fund, to be administered by the Institution of Electrical Engineers, of which he had been a member since 1887. The fund was to provide instruments of an unusual nature to assist physical research.[br]Principal Honours and DistinctionsFellow of the Physical Society 1920. Institution of Electrical Engineers Duddell Medal 1938.Bibliography17 March 1903, British patent no. 6,113 (the Unipivot instrument).1931, "Some electrical instruments at the Faraday Centenary Exhibition 1931", Journal of Scientific Instruments 8:337–48.Further ReadingObituary, 1943, Journal of the Institution of Electrical Engineers 90(1):540–1. P.Dunsheath, 1962, A History of Electrical Engineering, London: Faber \& Faber, pp.308–9 (for a brief account of the Unipivot instrument).John Barnes, 1976, The Beginnings of Cinema in Britain, London. Brian Coe, 1981, The History of Movie Photography, London.BC / GW -
4 Petzval, Josef Max
SUBJECT AREA: Photography, film and optics[br]b. 1807 Spisska-Beila, Hungaryd. 17 September 1891 Vienna, Austria[br]Hungarian mathematician and photographic-lens designer, inventor of the first "rapid" portrait lens.[br]Although born in Hungary, Petzval was the son of German schoolteacher. He studied engineering at the University of Budapest and after graduation was appointed to the staff as a lecturer. In 1835 he became the University's Professor of Higher Mathematics. Within a year he was offered a similar position at the more prestigious University of Vienna, a chair he was to occupy until 1884.The earliest photographic cameras were fitted with lenses originally designed for other optical instruments. All were characterized by small apertures, and the long exposures required by the early process were in part due to the "slow" lenses. As early as 1839, Petzval began calculations with the idea of producing a fast achromatic objective for photographic work. For technical advice he turned to the Viennese optician Peter Voigtländer, who went on to make the first Petzval portrait lens in 1840. It had a short focal length but an extremely large aperture for the day, enabling exposure times to be reduced to at least one tenth of that required with other contemporary lenses. The Petzval portrait lens was to become the basic design for years to come and was probably the single most important development in making portrait photography possible; by capturing public imagination, portrait photography was to drive photographic innovation during the early years.Petzval later fell out with Voigtländer and severed his connection with the company in 1845. When Petzval was encouraged to design a landscape lens in the 1850s, the work was entrusted to another Viennese optician, Dietzler. Using some early calculations by Petzval, Voigtländer was able to produce a similar lens, which he marketed in competition, and an acrimonious dispute ensued. Petzval, embittered by the quarrel and depressed by a burglary which destroyed years of records of his optical work, abandoned optics completely in 1862 and devoted himself to acoustics. He retired from his professorship on his seventieth birthday, respected by his colleagues but unloved, and lived the life of a recluse until his death.[br]Principal Honours and DistinctionsMember of the Hungarian Academy of Science 1873.Further ReadingJ.M.Eder, 1945, History of Photography, trans. E. Epstean, New York (provides details of Petzval's life and work; Eder claims he was introduced to Petzval by mutual friends and succeeded in obtaining personal data).Rudolf Kingslake, 1989, A History of the Photographic Lens, Boston (brief biographical details).L.W.Sipley, 1965, Photography's Great Inventors, Philadelphia (brief biographical details).JW -
5 Dancer, John Benjamin
SUBJECT AREA: Photography, film and optics[br]b. 1812 Englandd. 1887 England[br]English instrument maker and photographer, pioneer of microphotography.[br]The son of a scientific instrument maker, Dancer was educated privately in Liverpool, where from 1817 his father practised his trade. John Benjamin became a skilled instrument maker in his own right, assisting in the family business until his father's death in 1835. He set up on his own in Liverpool in 1840 and in Manchester in 1841. In the course of his career Dancer made instruments for several of the leading scientists of the day, his clients including Brewster, Dalton and Joule.Dancer became interested in photography as soon as the new art was announced in 1839 and practised the processes of both Talbot and Daguerre. It was later claimed that as early as 1839 he used an achromatic lens combination to produce a minute image on a daguerreotype plate, arguably the world's first microphotograph and the precursor of modern microfilm. It was not until the introduction of Archer's wet-collodion process in 1851 that Dancer was able to perfect the technique however. He went on to market a long series of microphotographs which proved extremely popular with both the public and contemporary photographers. It was examples of Dancer's microphotographs that prompted the French photographer Dagron to begin his work in the same field. In 1853 Dancer constructed a binocular stereoscopic camera, the first practicable instrument of its type. In an improved form it was patented and marketed in 1856.Dancer also made important contributions to the magic lantern. He was the first to suggest the use of limelight as an illuminant, pioneered the use of photographic lantern slides and devised an ingenious means of switching gas from one lantern illuminant to another to produce what were known as dissolving views. He was a resourceful innovator in other fields of instrumentation and suggested several other minor improvements to scientific apparatus before his working life was sadly terminated by the loss of his sight.[br]Further ReadingAnon., 1973, "John Benjamin Dancer, originator of microphotography", British Journal of Photography (16 February): 139–41.H.Gernsheim and A.Gernsheim, 1969, The History of Photography, rev. edn, London.JW -
6 Reichenbach, Georg Friedrich von
SUBJECT AREA: Mechanical, pneumatic and hydraulic engineering, Photography, film and optics, Public utilities[br]b. 24 August 1772 Durlach, Baden, Germanyd. 21 May 1826 Munich, Germany[br]German engineer.[br]While he was attending the Military School at Mannheim, Reichenbach drew attention to himself due to the mathematical instruments that he had designed. On the recommendation of Count Rumford in Munich, the Bavarian government financed a two-year stay in Britain so that Reichenbach could become acquainted with modern mechanical engineering. He returned to Mannheim in 1793, and during the Napoleonic Wars he was involved in the manufacture of arms. In Munich, where he was in the service of the Bavarian state from 1796, he started producing precision instruments in his own time. His basic invention was the design of a dividing machine for circles, produced at the end of the eighteenth century. The astronomic and geodetic instruments he produced excelled all the others for their precision. His telescopes in particular, being perfect in use and of solid construction, soon brought him an international reputation. They were manufactured at the MathematicMechanical Institute, which he had jointly founded with Joseph Utzschneider and Joseph Liebherr in 1804 and which became a renowned training establishment. The glasses and lenses were produced by Joseph Fraunhofer who joined the company in 1807.In the same year he was put in charge of the technical reorganization of the salt-works at Reichenhall. After he had finished the brine-transport line from Reichenhall to Traunstein in 1810, he started on the one from Berchtesgaden to Reichenhall which was an extremely difficult task because of the mountainous area that had to be crossed. As water was the only source of energy available he decided to use water-column engines for pumping the brine in the pipes of both lines. Such devices had been in use for pumping purposes in different mining areas since the middle of the eighteenth century. Reichenbach knew about the one constructed by Joseph Karl Hell in Slovakia, which in principle had just been a simple piston-pump driven by water which did not work satisfactorily. Instead he constructed a really effective double-action water-column engine; this was a short time after Richard Trevithick had constructed a similar machine in England. For the second line he improved the system and built a single-action pump. All the parts of it were made of metal, which made them easy to produce, and the pumps proved to be extremely reliable, working for over 100 years.At the official opening of the line in 1817 the Bavarian king rewarded him generously. He remained in the state's service, becoming head of the department for roads and waterways in 1820, and he contributed to the development of Bavarian industry as well as the public infrastructure in many ways as a result of his mechanical skill and his innovative engineering mind.[br]Further ReadingBauernfeind, "Georg von Reichenbach" Allgemeine deutsche Biographie 27:656–67 (a reliable nineteenth-century account).W.Dyck, 1912, Georg v. Reichenbach, Munich.K.Matschoss, 1941, Grosse Ingenieure, Munich and Berlin, 3rd edn. 121–32 (a concise description of his achievements in the development of optical instruments and engineering).WKBiographical history of technology > Reichenbach, Georg Friedrich von
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7 Ross, Andrew
SUBJECT AREA: Photography, film and optics[br]b. 1798 London, England d. 1859[br]English optical-instrument maker, founder of a photographic-lens making dynasty.[br]Apprenticed to the optical-instrument maker Gilbert at the age of 14, Ross rose to become Manager of the factory before leaving to found his own business in 1830. He soon earned a reputation for fine craftsmanship and was the first optician in England to produce achromatic microscope objectives. He had an early involvement with photography, perhaps before the public announcements in 1839, for he supplied lenses and instruments to Talbot. On hearing of Petzval's portrait lens, he made a highaperture portrait lens to his own design for the first professional calotypist, Henry Collan. It was unsuccessful, however, and Ross did little more photographic work of note, although his son Thomas and his son-in-law and one-time apprentice, John Henry Dallmeyer, made significant contributions to English photographic optics. Both Thomas and Dallmeyer were left large sums of money on Andrew's death, and independently they established successful businesses; they were to become the two most important suppliers of photographic lenses in England.[br]Further ReadingRudolf Kingslake, 1989, A History of the Photographic Lens, Boston (a brief biography of Ross).J.M.Eder, 1945, History of Photography, trans. E.Epstean, New York.H.J.P.Arnold, 1977, William Henry Fox Talbot, London.JW -
8 Zeiss, Carl
SUBJECT AREA: Photography, film and optics[br]b. 11 September 1816 Weimar, Thuringia, Germanyd. 3 December 1888 Jena, Saxony, Germany[br]German lens manufacturer who introduced scientific method to the production of compound microscopes and made possible the production of the first anastigmatic photographic objectives.[br]After completing his early education in Weimar, Zeiss became an apprentice to the engineer Dr Frederick Koerner. As part of his training, Zeiss was required to travel widely and he visited Vienna, Berlin, Stuttgart and Darmstadt to study his trade. In 1846 he set up a business of his own, an optical workshop in Jena, where he began manufacturing magnifying glasses and microscopes. Much of his work was naturally for the university there and he had the co-operation of some of the University staff in the development of precision instruments. By 1858 he was seeking to make more expensive compound microscopes, but he found the current techniques primitive and laborious. He decided that it was necessary to introduce scientific method to the design of the optics, and in 1866 he sought the advice of a professor of physics at the University of Jena, Ernst Abbe (1840–1905). It took Zeiss until 1869 to persuade Abbe to join his company, and two difficult years were spent working on the calculations before success was achieved. Within a few more years the Zeiss microscope had earned a worldwide reputation for quality. Abbe became a full partner in the Zeiss business in 1875. In 1880 Abbe began an association with Friedrich Otte Schott that was to lead to the establishment of the famous Jena glass works in 1884. With the support of the German government, Jena was to become the centre of world production of new optical glasses for photographic objectives.In 1886 the distinguished mathematician and optician Paul Rudolph joined Zeiss at Jena. After Zeiss's death, Rudolph went on to use the characteristics of the new glass to calculate the first anastigmatic lenses. Immediately successful and widely imitated, the anastigmats were also the first of a long series of Zeiss photographic objectives that were to be at the forefront of lens design for years to come. Abbe took over the management of the company and developed it into an internationally famous organization.[br]Further ReadingL.W.Sipley, 1965, Photography's Great Inventors, Philadelphia (a brief biography). J.M.Eder, 1945, History of Photography, trans. E.Epstean, New York.K.J.Hume, 1980, A History of Engineering Metrology, London, 122–32 (includes a short account of Carl Zeiss and his company).JW / RTS -
9 Lippershey, Hans (Johannes)
SUBJECT AREA: Photography, film and optics[br]fl. sixteenth/seventeenth centuries the Netherlands[br]Dutch probable inventor of the telescope.[br]Lippershey was a spectacle maker of Middelburg, a contender for the invention of the telescope. It is said that about 1600 two children were playing about his workshop and chanced to place a convex and a concave lens in a line, and noted a great magnification of the nearby church. Lippershey confirmed this and started manufacture of "instruments for seeing at a distance". In 1608 he petitioned the States General of the Netherlands for a patent for thirty years. A committee appointed to look into the matter declared that the device was likely to be of use to the State and suggested the improvement of a binocular arrangement. Other Dutch glass-workers, however, put forward claims to have constructed similar instruments, and, in the confusion, the States General turned down Lippershey's plea and he received no financial reward or patent protection.[br]Further ReadingD.J.Boorstin, 1984, The Discoverers, London: J.M.Dent.IMcNBiographical history of technology > Lippershey, Hans (Johannes)
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10 Hero of Alexandria
SUBJECT AREA: Architecture and building, Mechanical, pneumatic and hydraulic engineering, Photography, film and optics, Steam and internal combustion engines[br]fl. c.62 AD Alexandria[br]Alexandrian mathematician and mechanician.[br]Nothing is known of Hero, or Heron, apart from what can be gleaned from the books he wrote. Their scope and style suggest that he was a teacher at the museum or the university of Alexandria, writing textbooks for his students. The longest book, and the one with the greatest technological interest, is Pneumatics. Some of its material is derived from the works of the earlier writers Ctesibius of Alexandria and Philo of Byzantium, but many of the devices described were invented by Hero himself. The introduction recognizes that the air is a body and demonstrates the effects of air pressure, as when air must be allowed to escape from a closed vessel before water can enter. There follow clear descriptions of a variety of mechanical contrivances depending on the effects of either air pressure or heated gases. Most of the devices seem trivial, but such toys or gadgets were popular at the time and Hero is concerned to show how they work. Inventions with a more serious purpose are a fire pump and a water organ. One celebrated gadget is a sphere that is set spinning by jets of steam—an early illustration of the reaction principle on which modern jet propulsion depends.M echanics, known only in an Arabic version, is a textbook expounding the theory and practical skills required by the architect. It deals with a variety of questions of mechanics, such as the statics of a horizontal beam resting on vertical posts, the theory of the centre of gravity and equilibrium, largely derived from Archimedes, and the five ways of applying a relatively small force to exert a much larger one: the lever, winch, pulley, wedge and screw. Practical devices described include sledges for transporting heavy loads, cranes and a screw cutter.Hero's Dioptra describes instruments used in surveying, together with an odometer or device to indicate the distance travelled by a wheeled vehicle. Catoptrics, known only in Latin, deals with the principles of mirrors, plane and curved, enunciating that the angle of incidence is equal to that of reflection. Automata describes two forms of puppet theatre, operated by strings and drums driven by a falling lead weight attached to a rope wound round an axle. Hero's mathematical work lies in the tradition of practical mathematics stretching from the Babylonians through Islam to Renaissance Europe. It is seen most clearly in his Metrica, a treatise on mensuration.Of all his works, Pneumatics was the best known and most influential. It was one of the works of Greek science and technology assimilated by the Arabs, notably Banu Musa ibn Shakir, and was transmitted to medieval Western Europe.[br]BibliographyAll Hero's works have been printed with a German translation in Heronis Alexandrini opera quae supersunt omnia, 1899–1914, 5 vols, Leipzig. The book on pneumatics has been published as The Pneumatics of Hero of Alexandria, 1851, trans. and ed. Bennet Wood-croft, London (facs. repr. 1971, introd. Marie Boas Hall, London and New York).Further ReadingA.G.Drachmann, 1948, "Ktesibios, Philon and Heron: A Study in Ancient Pneumatics", Acta Hist. Sci. Nat. Med. 4, Copenhagen: Munksgaard.T.L.Heath, 1921, A History of Greek Mathematics, Oxford (still useful for his mathematical work).LRD -
11 Taylor, William
[br]b. 11 June 1865 London, Englandd. 28 February 1937 Laughton, Leicestershire, England[br]English mechanical engineer and metrologist, originator of standard screw threads for lens mountings and inventor of "Dimple" golf balls.[br]William Taylor served an apprenticeship from 1880 to 1885 in London with Paterson and Cooper, electrical engineers and instrument makers. He studied at the Finsbury Technical College under Professors W.E.Ayrton (1847–1908) and John Perry (1850–1920). He remained with Paterson and Cooper until 1887, when he joined his elder brother, who had set up in Leicester as a manufacturer of optical instruments. The firm was then styled T.S. \& W.Taylor and a few months later, when H.W.Hobson joined them as a partner, it became Taylor, Taylor and Hobson, as it was known for many years.William Taylor was mainly responsible for technical developments in the firm and he designed the special machine tools required for making lenses and their mountings. However, his most notable work was in originating methods of measuring and gauging screw threads. He proposed a standard screw-thread for lens mountings that was adopted by the Royal Photographic Society, and he served on screw thread committees of the British Standards Institution and the British Association. His interest in golf led him to study the flight of the golf ball, and he designed and patented the "Dimple" golf ball and a mechanical driving machine for testing golf balls.He was an active member of the Institution of Mechanical Engineers, being elected Associate Member in 1894, Member in 1901 and Honorary Life Member in 1936. He served on the Council from 1918 and was President in 1932. He took a keen interest in engineering education and advocated the scientific study of materials, processes and machine tools, and of management. His death occurred suddenly while he was helping to rescue his son's car from a snowdrift.[br]Principal Honours and DistinctionsOBE 1918. FRS 1934. President, Institution of Mechanical Engineers 1932.Further ReadingK.J.Hume, 1980, A History of Engineering Metrology, London, 110–21 (a short account of William Taylor and of Taylor, Taylor and Hobson).RTS
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